Beauty in Chaos Remixes

Beauty in Chaos Remixes

Statik just finished 2 remixes for the band Beauty in Chaos for their upcoming remix album ”Beauty Re-envisioned” out either March or April.

The first remix was for the song "20th Century Boy", and features Al Jourgensen on vocals.

The second song was “Un-Natural Disaster”. This song features dUg Pinnick (King’s X) and ICE-T (Body Count)! and Pete Parade (The Offspring) on drums, with a new solo by Zakk Wylde who just came off the road with Ozzy!

Both remixes turned out great, and if all goes well, they will be using the Collide remix of “Un-Natural Disaster” for the first video for their upcoming remix album.

A Model of Control picks "Mind + Matter" in 2018 Best Of

A Model of Control picks "Mind + Matter" in 2018 Best Of

A Model of Control has picked Mind + Matter for their 2018 Best of List

It has become pretty much expected that Collide will release a remix album after each album nowadays – but what is remarkable to me is just how good each of them are. Collide have a very distinct style – guitar-assisted industrial darkwave with Karin’s ethereal vocals floating across the mix – so what is often obvious is that a desire to do something different really brings out the best in the remixers. Their smart habit of opening out the remixes to pretty much anyone that wants to do them – which often includes amateur musicians who might be just fans of the band – also means that there is an amazing variety in the output, and it also does the additional service of giving a “leg up” to these smaller artists, too. That said, there are certain moments worthy of particular note, particularly the Blue Stahli rework of Freaks Me Out, whose savage, anthemic take is easily the best Collide remix released since Vortex fourteen years ago.

Mind & Matter Pledge campaign started

Mind & Matter Pledge campaign started

With your help it’s happening!!

You can pre-order it now on Pledge Music

We are getting ready to release another CD. It is called Mind & Matter.

It is a double CD with 29 songs of re-imagined remixes from Color of Nothing, 2 Cover Songs, & 1 new Collide song!!!

Get yours now and get special access to our behind the scenes updates.

With love,
kaRIN & Statik
The Humans who bring you Collide

Collide Remix Contest Winners

Collide Remix Contest Winners

Collide Remix Contest Winners

We are always really excited to hear that there are so many talented remixers out there!!

We love hearing all the different takes on our songs, and were honored that so many people wanted to take part in the remixing of Color of Nothing.

After a lot of listening and more listening, we have the list of winners to our recent remix contest.

There was more competition than ever this time around, and the competition was fierce. All of the remixes will appear on our upcoming double remix album. We also have some special songs of our own that will be on the album, as well as some other special remixers that we will be announcing later!

We don’t have a release date yet, but we will keep you updated.

Our eternal thanks to all of the remixers for helping to make this happen.

Here are the winners!!

Blue Sky Alive
D' MacKinnon of Kheperi Global Media LLC
Digital Gnosis
Giant Monsters on the Horizon
Modern Vultures
Jason Yates
Maria Lui
Nathan Charlson: Milkfixer
Pappy (a.k.a. Throe)
Rale Daver
Rick Moore
the boundless
The Stitchlings
Vladan Hranisavljevic
The Wave and the Particle(x2)
Zero Meaning

Until next time,

Much love from the people who bring you Collide

Carpe Nocturne reviews Color of Nothing

Carpe Nocturne reviews Color of Nothing

We're not sure why some of the reviews have taken so long to come out after our album release, but we're happy that they here at all.  It seems like we're still doing something right.  Here's the review.  Thanks to Sergio Manghina for sending it to us.


Twenty-five years of excellent music under the name Collide, and an interesting side project called The Secret Meeting with Dean Garcia of Curve, kaRIN and Statik have always had a completely different, personal vision or idea about what being “goth” with all its nuances really means.  Their sonic territory is an electronic dark wave with  distinctly industrial implications.  But, at the same time, something impalpable unequivocally distinguishes them from any other.  “Color of Nothing” is a further evidence of it.  

The backbone of this new album has a temperate dark-industrial feel, where the suavity of kaRIN is the gentle counterpoint of the robust implant of synths and drums impeccably performed by Statik.  Sharply guitars characterize several episodes.  “Wake Up” and “Soul Crush” are heavy, cutting songs, floating into an amniotic liquid of electronics.  “Freaks Me Out” and “Fix” levitates into different spectrums, but both can invoke multi-color psychedelic trips.  “Will Not Be Destroyed” is touched by some shades of noir while “Blurring the Edges” is romantic-arcane trip-hop.  However, each song of this work gets its own place on the palette of imagination until “Pale Blue”, which closes the album with a slightly different mood.  Decelerating, it dulls the tones like  a cozy refuge.  kaRIN’s voice encloses a sonic prism of sensation, between the beauty of a snow-crystal and a mysterious sensuality.

kaRIN and Statik are architects of complex songs, conceived as micro-worlds made of sounds.  They write incredibly intelligent, and enjoyable music.  Collide offers a very accurate production in all details, including the beautiful lyrics and imagery.

A Model of Control picks Color of Nothing as one of the top albums for 2017

A Model of Control picks Color of Nothing as one of the top albums for 2017

"I was rather astounded to realize just how long Collide have been part of the scene this year. Now an active group for around two decades, they’ve avoided trends as such as simply continued with their own style to great effect, as this new album proves. Their best album in some years, this keeps the quasi-ethereal/industrial/darkwave sound that they perfected long-since, but here it seems to have rather more bite than it has of late. With dense instrumentation, great songs and a heavier take on their sound that sees guitars used as texture as much as the synths to add the extra heft, this is a fascinating album well worth luxuriating in, and those two decades into their career, Collide remain an endlessly enjoyable band."

Chain D.L.K. Color of Nothing Review

Chain D.L.K. Color of Nothing Review

Thanks to Chain D.L.K. and Steve Mecca for their review of Color of Nothing.

" This is a bigger, bolder and heavier album than they've ever done before"

'Color of Nothing' is Collide's 8th studio album and their first one in six years following 'Counting to Zero' in 2011. That album was a rather downtempo, melancholy affair that although well-executed, largely lacked the fire that they exhibited on 'Two Headed Monster' from 2008. There's fire aplenty though in 'Color of Nothing' and it begins with the aptly titled "Wake Up". If Collide's fans thought they had lost some of their industrial edge previously, I can tell you that it's back in full force now. The harder edge here is provided by the guitars of Kevin Kipnis (Purr Machine) and Scott Landes. Statik is still handling programming (electronics, percussion) and kaRIN has never sounded more seductively witchy. Something about the ways her voice was recorded on this album is really different. She is still immediately recognizable but there are places where her vocals are elusive as smoke. Statik incorporates a lot of melodic/rhythmic industrial loops on this album, perhaps more than he's ever used before. Where Collide had once flirted with taking over the mantle of the 90's band Curve (ie; The Secret Meeting - 'Ultrashiver') here on 'Color of Nothing' they do so forcefully and unapologetically. They even invited Dean Garcia back again to play bass on a track ("Fix"). This is a bigger, bolder and heavier album than they've ever done before. Although there's no definitive unified concept here, this is one of those albums that plays best as a whole rather than trying to pick some hit song, of which there isn't really one here. They're all good. Even though it took me a while to really get into 'Color of Nothing' it was worth it, and I think Collide's fans will think so too. It's an album that could only have been put out by a goth-industrial outfit of the calibre of Collide, and was worth the wait. I can only hope they'll feel like touring it.

New Color of Nothing reviews

New Color of Nothing reviews

We've added some new reviews for Color of Nothing. from Electronic North, Polyprisma, Bite Me, and Pop Culture Ate My Monkey. 

From Polyprisma:  "Color of Nothing is a great album. For me it is the best album of the band. It combines elements that have always been part of Collide. Collide makes things different in nuances, but it is these nuances that make the difference between very good and extraordinary. It is a new and impressive stage of musical development for Collide. "

Check them out here

Color of Nothing

Color of Nothing

Things are moving along and we are so excited to be getting closer! Here is a look at the new cover!

We decided to call it Color of Nothing.

Mixing is now done and we are in the mastering stage!! We are on target for a May 25th release!!!

We are a completely self funded band and thanks to everyone that has pledged so far...this album has been made possible because of you!! We are eternally grateful!

It is not too late to be part of this can still pre-order and get the music as soon as it is released and lots of other cool things. Also, there is still a week to get your name printed in the album liner notes. Please help to support Independent Music.

Please continue to spread the word, we still need all the help we can get.

We hope you like it! Thanks so much to JSR Photo’s for the photography. Thanks to Sarah Cavender Metalworks for the mesh cuff.

Much love from the people that bring you Collide,�
kaRIN & Statik

Thanks to you we made it!

Thanks to you we made it!

Okay you super wonderful people…with your help we did it!!!

We are deeply grateful to each and every one of you for wanting to be part of our musical journey!!

To us making music is like our own personal art piece, and each detail and every sound is important. It is our labor of love and requires hundreds and hundreds of hours of time to make something that we are happy enough to let go of.

The fact that we have now made this goal will now help us pay for the album expenses, and tells us that people still do care enough about our music to be supportive, which means everything to us!

Currently, we are just beginning the mixing stage which should take a couple of weeks, after which time we will get the album mastered. We are still working on album artwork, and deciding on a title for the album. Hopefully that will be revealed in one of our next updates =). There are 11 songs, we can tell you that!!

Until next time, we can’t wait to share it with you!

Please continue to help us get the word out there…it’s not over until the album is done and we appreciate all of the support that we can get!! (Until the album is finished, everyone is still able to pledge to see any of our past updates, and get any of the items in our PledgeMusic store, including downloads, T-Shirts, and getting your name or picture on the artwork. )

Okay back to mixing now.


kaRIN & Statik

PledgeMusic campaign for new Collide album

PledgeMusic campaign for new Collide album

We're excited to announce that we're launching a new PledgeMusic campaign for our new album. 

In the coming months, on our PledgeMusic site, we'll be posting news, and exclusive behind the scenes videos of what goes into finish the album.  On the site, you can pledge to see all of that, and receive a download of the album when it is finished.  Of course there are lots of other special items there, so check it out.

We are hoping for a May 2017 release.  We didn't want to say too much about it, until we were a little closer to being finished, but we are in the final stages.  We just have to finish vocals and a couple of songs, and then we will be working on artwork and mixing.