I hate when it happens; I receive a CD to review from a fairly well-known band months after it’s been released. Reviews are already published, verdicts are out, and I’m left with the unenviable task of confirming or denying sentiments previously espoused while still trying to remain original and unbiased in my opinion. First- the prejudice: I’ve always has a soft spot in my heart for Collide. I’ve enjoyed them since their initial release (BENEATH THE SKIN) back in 1997. Although I haven’t kept up with everything they’ve done, I’m familiar enough with their material to assess what they’re delivering here. If you want to cut to the chase and just determine whether to buy this latest Collide product or not, then I’d say BUY IT without a doubt. If you’re interest in my reasons why you should, then read on.
Collide kind of started out as a female-fronted electro-industrial mélange with dark goth pop inclinations. There were a few bands out there at the time doing this kind of thing but somehow Collide managed to do it better. When every other female vocalist in the genre was getting compared to Siouxsie Sioux, the vocal talents of Collide’s kaRIN invited a broader range of juxtapositions. The aural complexities Statik produced, especially on their earlier releases helped set the band apart from the glut of female-fronted gothy-electronica bands that populate the genre.
Collide has morphed somewhat from their beginnings; grown and changed but always retained the unique core of their sound- complex and beguiling. I think Collide’s turning point was their involvement with Curve’s Dean Garcia. For those unfamiliar with Curve (probably a minority), the band’s was essentially a fem-fronted duo consisting of Toni Halliday and Dean Garcia. Curve sits somewhere between shoegazer and noise pop on the genre meter. Last year kaRIN and Statik collaborated with Garcia on a one-off (so far) project called Ultrashiver resulting in an album titled THE SECRET MEETING. The end result was a lot more Curvish than Collidish in my estimation- not a bad thing at all. That album got great reviews but true to its name is a commercially “secret meeting”. However, what Collide retained as a result of that project has ultimately influenced their new material on TWO HEADED MONSTER.
With the exception of kaRIN’s sultry-slinky vocal style (a hallmark of any Collide project), I wasn’t much impressed with Collide’s last studio album, SOME KIND OF STRANGE from 2003. In spite of guests cEvin Key of Skinny Puppy and Danny Carey of Tool it was altogether too slow, and the songs just didn’t seem that compelling to me. Flash forward to 2008’s TWO HEADED MONSTER and you have a whole different animal. First off, Collide sounds more like a band here than a recording project. I can actually imagine this album being played live more than any of their prior material. Although “Tongue Tied & Twisted” (line from a Pink Floyd song, eh?) opens the album with a dark, lurching semi-slow groove, the pace changes briskly with the followup, “Chaotic”. Here you begin to notice the drum work (undoubtedly courtesy of Danny Carey’s reprise here) and the fact that kaRIN’s vocals seem more integrated with the music in the mix. Stylistically, kaRIN isn’t that far removed from Toni Halliday and it shows in numerous places on TWO HEADED MONSTER. I think the songs are a bit more accessible (probably unintentionally so) in structure on this album without falling into commercial cliché. This is a feat many bands strive for but few seem to accomplish without concession or conceit. And it is for this reason that TWO HEADED MONSTER transcends being merely a good album and becomes a great one. There are enough mood and tempo changes, enough twisted sonics, potently placed power chords, dynamic shifts and compelling rhythms to satisfy the most demanding alt rock listeners. Every corner turned by another track on TWO HEADED MONSTER holds a dark and delicious delight. TWO HEADED MONSTER could well be the breakout album for Collide, bringing them a much broader fan base than just the dressed in black set. Then again, who knows? They run their own record label (Noiseplus Music) ensuring artistic integrity and a meager promotional budget. One well-placed track on a TV series or a movie soundtrack could propel them into the spotlight. Unlike a lot of bands who achieve “overnight success”, if TWO HEADED MONSTER is any indication, Collide are ready for it.-Steve Mecca
and another one from the UK
Trippy darkwave veterans continue to weave their wicked web.
Although divided into 10 tracks, Collide's music is more like one nocturnal journey into sound, and if you're up for the ride, it's a treat. Electro beats and synth fixes drop shards of silver into the pond, and up top are the chocolate-rich vocals of the purring kaRIN. Disarming guitar riffs compete for attention with slow piano refrains before you're immersed in great, velvety washes of sound. This is what Cristina Scabbia's side-project with Trent Reznor might sound like. Don't expect much to sing along with, but do expect to lose yourself late at night to this surreal and immersive alchemy Enjoy your tip.
For Fans of: A Perfect Circle, Innerpartysystem